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Department
of Art - BA Art History
2006 Capstone Thesis Topics
In the Realms of the Unreal: An Exploration into the Mind of an Outsider Artist – Becky Wareing
Homosexual Art: Re-imagining the Power Dynamics of the Patriarchal System – Libby Barbee
Avant-Garde Fiber Artists: How the Fiber Arts are Transcending Craft – Dylan Reitmeyer
Esther Bubley and her Photographic Essays – Jennifer Colvin
From Subways to Sony: Graffiti Art and Commercial Culture in Twentieth Century America – Carrie Schoch-Smith
Peacock Symbolism: God and Decadence – Molly Cunningham
Portraits of Persuasion: Mistresses and the Portrait in Revolutionary France – Heather Hull
La Muestra Rural and Bourgeoisie Propaganda – Nathan Troop
A Dalang within Illustration: Jan Toorop’s Symbolist Works from 1889-1897 – Rebecca Valenta
Bernini’s Louis XIV: An Example of Classicism and French Academic Standards – Shelby Wood
Inuit Carvings: Craft or Fine Art – Caroline Maloney
The Crossing of Mayan Beliefs and Christian Ideals in Pre-Columbian and Post-Conquest Mexico – Stefanie Somerfelt
Jose Guadalupe Posada and the Mexican Muralists: Visual Monument to a National Identity – Melissa Johnson
Symbolism in “Primitive” Art: An Exploration of Form and Content in the Art of the Maori – Lindsey Mikash
Kandinsky’s Color: An Exploration of the Emotive Qualities of Color – Sara Shelton
The Aesthetics of a Urinal – Annie McNeil
Max Ernst: The War Years – Merritt Mutchler
Dorothea Lange and the Migrant Mother – Casey Kaylor
A Feminist Exploration of Hildegard von Bingen – Kimberly Kronwall
Frida Kahlo and What the Water Gave Me: a Surrealist Work? – Lynsey Hill
The Aesthetics of Darwinism in the 19th Century – Kristan Butterfield
Probing the Art and Porn of Annie Sprinkle – Alison Green
Iconology in Tenochtitlan – Tessa Harvey
Gauguin’s World: The Development of a New Aesthetic in Tahiti – Christy Costello
Inca Stone: Form, Function and Aesthetic – Mike Estes
The Intent of the Medici Cycle – Michelle French
Edward Munch and the Sublime Aesthetic – Forrest Gerke
